Becoming an Australian: a brief summary of an unexpected 14 year odyssey

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How Emu-sing

A few days before I took the pledge and became an Australian citizen, I celebrated my impending ‘Aussie-ness’ in true style by enjoying the spectacle of the AFL Grand Final – Pies v Eagles – in my local pub in country Victoria.

Can there be anything more Aussie then sipping a pot of cold beer, surrounded by dinky-di locals hurling abuse at muscly boofheads on a big screen amid the pungent aroma wafting up from an unwashed carpet?

Perched on a bar stool, holding an ale, there I was offering my limited analysis of the great Australian game (whose rules I still haven’t quite figured out after 14 years of trying), wondering how the hell I ended up here in the first place?

After all, I was the least likely person among my circle of Johannesburg friends to ever contemplate moving Down Under, someone who once famously vowed never to live in the same country as Steve “You’ve dropped the World Cup” Waugh and Shane Whatshisname and all the other Aussies that had, more often than not, thrashed us South Africans on the cricket field and other sporting arenas.

But here I was, a few days out from joining the other 25 million-odd people in this vast and curious land who call themselves ‘Australian’, and feeling rather pleased with myself.

This might have had something to do with three or four pots of ice-cold beer I’d enjoyed as the game drew to its thrilling climax, creating a warm glow in my belly.

Or perhaps it was the un-expectantly jovial conversation (unexpected, since I’d walked into the pub knowing no one) I’d struck up with Jason, the larrikin bloke sitting next to me at the bar, who it turned out lived on my street and was full of funny tales from his job on the Melbourne docks and his travels with his wife to Nepal and who by the end of the afternoon was slightly rat-arsed and could only make it half way through a story before chuckling to himself, because he’d forgotten the point entirely.

But the feeling was deeper, like maybe, I actually belonged here, that I’d absorbed something of the country’s essence – it’s essential “fair go” good heartiness, it’s fair dinkum spirit and inexplicable cultural oddities and contradictions –  into my skin after all this time.

It was as if I’d grown a new layer of  ‘Australian identity’, over my South African roots and the other layers of ‘me’ – my traditional Orthodox Jewish upbringing and my adopted Englishness, courtesy of four cherished years living and working in London.

Sydney

As the evening of the citizenship ceremony at Kyneton Town Hall drew nearer, I became gripped by nostalgia for the past 14 years.

My mind danced back to the day I touched down in Sydney in late September 2004 after a long flight, and feeling the muggy heat of a surprisingly humid Spring day as I exited the airport building. From there I was taken to La Perouse, named after the French navigator who landed there before Captain Cook, to enjoy the view across Botany Bay and be warned to watch out for snakes.

The bright sun and deep blue waters were a stark change from the grey, Autumn skies of London, where I’d said goodbye to my  friends a day earlier, before hopping into a mini cab in Golders Green for the motorway out to Heathrow.

In suburban Sydney, newly unemployed and work visa-less, Australian pop culture got its early hooks into me courtesy of morning re-runs of The Secret Life of Us a show about a group of twenty-something friends living and loving at Melbourne’s St Kilda Beach, narrated by the philosophical observer and writer, Evan (played brilliantly by Samuel Johnson). I took daily jogs beneath the fig trees of Centennial Park only a short walk away, went on weekend excursions to the Central Coast, visited Canberra and the Floriade and was introduced to the music of Cold ChiselThe Whitlams and Powderfinger.

Brisbane

Sydney soon departed, as did my relationship in a cloud of self-induced misery, giving way to the humidity of tropical Brisbane where I secured a job in PR (writing media releases that no one read) and a cherished 457 work visa. I vividly remember feeling both exhilarating and melancholic waking up on Australia Day 2005 in a shared townhouse in Stafford in Brisbane’s Northern Suburbs realising I was completely on my own.

I also won’t ever forget that scorching hot day wandering aimlessly around the Brisbane Botanical Gardens, Southbank, and the city, the Triple J Hottest 100 playing on the radio, wondering just what the bloody hell I was doing here.

Rather then become a recluse, being alone jolted me into a new and surprising phase of gregariousness and adventure. Within a few months, with the help of websites like the Gumtree, I soon gathered around me a motley crew of new friends, most of them local Brisbanites, who had returning from London work stints. They were all lovely, warm and welcoming people who made me feel at home, and I’m sad I’ve since lost contact.

We’d catch up after work in the city or Fortitude Valley, drink ourselves silly and rock out to the local band playing cover versions of the Red Hot Chilli Peppers, Hunters & Collectors, Paul Kelly and the Rolling Stones at the Elephant and Wheelbarrow or Pig & Whistle.  By that time I’d relocated to a shared apartment in leafy New Farm on the banks of the Brisbane River (my previous flatmate, with a propensity for having loud, moaning intercourse with her boyfriend, having kicked me out for a few harmless indiscretions including using her expensive winter blanket without asking).

I would often stumble home down Sydney Road after a night of drinking, dancing and canoodling in the Valley, crawling into bed as the sun was just starting to come up.

I remember a wonderful Christmas spent as the pseudo-adopted son of my delightful new flatmate Jane’s Gold Coast family in their swimming pooled home, a holiday which included a Formula One-like ride in her father’s super-charged Holden Commodore to pick up a relative in Murwillumbah across the border.

There were new discoveries: the gaudy delights of Surfers Paradise only an hour away, the beaches and markets of Noosa on the Sunshine Coast, the rather depressing hippyness of Nimbin, a weekend away to taste the bohemian air of Byron Bay, a holiday at Rainbow Beach below Fraser Island with its bleached white sandy beaches -and a string of short-lived romances.

The party stopped soon after that Rainbox Beach Christmas holiday, when I got “boned” from my job (they finally figured out I actually did very little all day) and ended back in Sydney, working as a journalist for a trade publishing outfit on the North Shore on another 457 visa.

(As a side note I should add that Brisbane was where I sat enthralled watching the epic 2005 Grand Final between Sydney Swans and West Coast, a game which was instrumental in developing a surprising  interest in the sport alongside my established passions of rugby, cricket and the English Premier League.)

Back to Sydney: Coogee Beach and Dural

Coogee Beach

Coogee Beach

In Sydney, I made my first home in an Art Deco flatshare overlooking Coogee Beach and then later, after I met the gorgeous Kiwi who was to be my wife (we were introduced by mutual friends at the bar at the Lord Nelson Hotel at The Rocks), to a two-storey apartment in Woolloomooloo that we shared, nestled amid the hipsters, drug addicts and down-and-outs of Kings Cross for two funky years.

With the bustle and hustle of rainbow-flagged Oxford Street only a short walk away Betty’s Soup Kitchen (sadly no longer there) and its homemade damper bread  and cramped Don Don’s with its enormous bowls of Chicken Katzu became favourites as did drinking holes like the Gaslight Inn, Dolphin and Clock Hotel.

I attended my first Mardi Gras parade, ran my first City to Surf run, and took our dogs, two playful silky terriers for morning walks, heading up to the NSW Art Gallery, as trains rattled below, and to the rocky wilds of the Royal Botanical Gardens and sensational views across the harbour.

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Python-esque

When our Woolloomooloo lease ended, inner city Sydney with its buzz, noise and congestion gave way, for a magical six months, to country living as we joined my future wife’s sister and her partner sharing a large house on a couple of acres north of Dural on the rugged and bushy northern outskirts. On the property were half a dozen horses, five dogs, and a couple of Diamond-backed pythons who made a home in the roof above the living room,  feasting on rodents. They could often be seen slithering through vines outside our expansive lounge windows. (It was at this time that I bought my now well-thumbed copy of A Guide to Australian Snakes).

A delightful wedding in an Apple Orchard in Clyde, Otago surrounded by 50 of our closest family and friends (followed by a honeymoon road trip around the New Zealand South Island) gave way to a magical year-long backpacking adventure around the world (read about my BEEG Adventure here) and then a new chapter: Melbourne when we returned to Australia from our travels in February 2011.

There after I got an online writing job in the city, and soon after, we started a family that has most recently grown to five. It was in Melbourne, that I also landed a cherished role writing for The Australian Financial Review where I recently clocked up five years. Where does the time go?

Return to the country

We spent almost six years in the rather bland Northern Suburbs of Melbourne – Oak Park and then Niddrie – before packing up and heading north on the Calder Freeway for leafy Gisborne with its rolling kangaroo-hopping green hills and country fresh feel.

Which of course brings me right back to the country pub, and the big screen telly, and the Grand Final and the pots of beer in the belly, and the locals laughing and yelling and my new friend forgetting the point of his stories and me feeling rather pleased with myself after my unexpected 14 year odyssey.

So here I am. As Aussie apparently as the next bloke, part of this fabulous, swirling multi-cultural melting pot with an uncle called Bruce (truly), father-in-law who barracks for Collingwood (sadly) and three Australian children, wondering…who the bloody hell I am going to vote for at the next election?aussie citizenship

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Why go abroad? Reading Alain De Botton’s ‘The Art of Travel’

the-art-of-travel-alain-de-botton“We’ve gone on holiday by mistake,” laments the melodramatic Withnail in the cult film ‘Withnail and I’ as his escape from his filthy London squat for the fresh country air of the English Lake District turns out to be anything but idyllic.

Withnail and his of out-of-work actor chum “I” are enduring what so many have experienced for real on their own travels: when the pictures on the holiday brochure (or in one’s imagination) turns out be nothing like the real experience.

This all too familiar feeling of traveller’s gloom is one of the many aspects of that great human urge to “go on holiday” that the British philosopher and best-selling author Alain De Botton explores in his highly entertaining and insightful book The Art of Travel.

“We are inundated with advice on where to travel to, [but] we hear little of why and how we should go,” muses De Botton in the first chapter called “On anticipation”.

De Botton recalls his own disappointing experience of a tropical island holiday to Barbados where he went with his partner one year, to escape the London winter.

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Withnail and I: We’ve gone on holiday by mistake

Prior to traveling he imagined only “a beach with a palm tree against the setting sun”, a “bungalow with views through French doors” and an “azure sky”.

What he didn’t imagine was the “large petrol storage facility” near the airport, the long line of people waiting to have their passports stamped, adverts for rum above the luggage carousel and “a confusion of taxi drivers and tour guides outside the terminal building”.

It’s not just that the holiday ‘looks’ nothing like the brochure. Even when the author does find himself in a place which should be restful and calming – the idyllic sandy beach of his imagination – he struggles to relax, his mind is full of worries about “back home” leading De Botton to the depressing realisation that he has taken ‘himself’, with all its anxieties, fears and frustrations, on holiday with him too.

“…the mind meanwhile revealed a commitment to anxiety, boredom, free-floating sadness and financial alarm.”

This candidness and almost painful honest is one of the great joys of reading De Botton. He is never afraid to draw on his own bitter experiences, failings and annoying habits to illustrate a key point; in this way, he makes himself a very likeable and sincere narrator.

As with the other books of his I have read (The Consolations of PhilosophyThe Consolations of Philosophy and How Proust Can Change Your Life)  De Botton draws on the wisdom of the great thinkers of the past – philosophers, artists, writers, painters and poets – to provide answers to the questions he has about the paradoxes, ironies and mysteries of the travel experience.  (Surely no other writer has managed to make philosophy so interesting and so practical).

These include the American realist painter Edward Hopper whose evocative scenes of lonely travellers waiting in empty motels rooms, gas stations and automats, De Botton relates to the idea of travel as a journey of reflective introspection. The poetry and power of these melancholic scenes De Botton also says explains why we take pleasure and comfort in ugly highway rest stops, where we find kingship with other fellow travellers amid the harsh lighting and plastic furniture.

I particularly enjoyed De Botton’s description of a lacklustre visit to Madrid, where he could barely muster the strength to get out of bed, despite the great Spanish city with its palaces, museums and art galleries beckoning him from below his hotel room. Only the fear of the hotel maid entering his room for a fourth time and exclaiming “Hola, Perdone!” roused him from his depression.

While one’s first reaction is to be annoyed with De Botton for squandering such a great opportunity to see the sights, who on their own travels has not grown lethargic and bored at the prospect of a visit to yet another ancient ruin, art gallery or museum, which our travel guide tells us we should be enthusiastically visiting and gazing at in wonder.

Here De Botton takes his cues from the great German explorer and naturalist Alexander von HumboldtGerman explorer and naturalist Alexander von Humboldt whose curiosity for all the things strange and unusual he discovered and catalogued on his expeditions reminded De Botton that what we find pleasurable or interesting on our travels should not be determined by the latest edition of the Lonely Planet or Rough Guide.

Humboldt did not suffer such intimidation…He could unselfconsciously decide what interested him. He could create his own categories of value…

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Curious explorer: Alexander von Humboldt

De Botton’s other guides include Vincent Van Gogh, whose vibrant paintings of bright yellow wheatfields and whirling Cypress trees in Arles reveal the hidden beauty and power in seemingly ordinary places and the poetry of William Wordsworth, which celebrated daffodils, sheep and trees – as an explanation for why we yearn to escape the city for the restorative piers of the countryside.

(It’s just a shame my paperback edition of The Art of Travel reproduced all the artworks and photographs in black and white, though its easy enough, albeit a little disruptive to one’s reading, to look up the full colour version on one’s smartphone or tablet.)

There is of course another message that De Botton is so eager to share: that one does not have to jump on a plane and fly 5000 miles to a remote island to undertake an enlightening journey. Just exploring one’s own neighbourhood with a curious eye and alert mind can reveal wonders, as the author does himself with a meditative walk through his London suburb of Hammersmith.

In fact, one does not even have to leave one’s bedroom to “travel” if one subscribes to the wisdom of French writer Xavier de Maistre whose bizarre book Journey Around My Bedroom, published in 1794 De Botton brings back from obscurity.

While De Botton acknowledges there is clearly something rather silly about de Maistre’s suggestion that rather then go travelling we instead admire the elegance of one’s bedroom furniture,  he also recognises a more profound message that “the pleasure we derive from journeys is perhaps more dependent on the mindset with which we travel then on the destination we travel to”.

It’s one worth remembering the next time we reach for the chunky travel guide wedged in our bookshelf, when the urge to go on holiday hits us again.

(Readers of The Art of Travel, might also enjoy an accompanied documentary Alain De Botton made on the topic, which you can watch for free on YouTube:

Doxxing, Journalism and the anonymous Casefile host

So it’s true. I doxxingbriefly “doxxed” the anonymous host of popular crime recital podcast Casefile.

I’d actually never heard of the curious word – ‘doxx ‘or ‘dox’ – until I wrote an article on this humble blog a few months ago revealing a few personal details about the mysterious “Brad” whose spooky Wikipedia-inspired retelling of famous crimes has turned him into a surprising, and apparently extremely reluctant podcast superstar.

Doxxing, according to the Merriam Webster online dictionary is:

slang : to publicly identify or publish private information about (someone) especially as a form of punishment or revenge  

My now deleted article included the host’s full name, age, the town where he lived and a few other bits of trivia about him. I also included a smiling photo sourced from social media.

It only took a couple of hours of digging to work out who he was – my motivation was neither malicious nor vengeful,  only pure curiosity. Anybody using a bit of lateral thinking could have found as much, if not more.

After removing the article as a favour, I wrote a fresh post about my interactions with the Casefile host and then another about his subsequent blocking of me on Twitter.

Among the many responses, came this from Laura: “I was also curious about who this fellow Aussie was, now after seeing his response to you doxxing him I agree his identity should remain completely anonymous”.

Digging around online I found that the fan-run Casefile Reddit page has a strict “zero tolerance Doxxing Rule” which it says applies “to victims” (strange, as Casefile podcasts are full of personal details of the victims of crimes) “but also to the host”.

“We will remove immediately any posts regarding the identity of the host unless they come from the Casefile Official Website. Period,” the Reddit page says.

It’s a curious kind of inverse vigilantism since unlike many infamous doxxing cases (like that of Brennan Gilmore, who tweeted the video of the car driven by a white supremacist madman that ploughed into anti-racism protestors in Charlottesville last year and was then doxxed by far right activists who posted the home address of his parents on online message boards) there appears to be no genuine reason for the host’s anonymity, apart from him not wanting anyone to know who he is.

Bear in mind,  I didn’t hack any databases or emails to find out who he was, nor did I post his home address or phone number. Every bit of information was publicly available at the time to anyone who cared to investigate.

I think it’s also worth considering the issue of doxxing from a journalistic point of view.

Journalists doxx all the time: we write about people who wish to remain anonymous in the interests of a good story.

As a property writer, it is part of my job to reveal who is buying and who is selling real estate even if those doing the buying or selling wish to remain anonymous.

In almost all cases the doxxing is justified in the interests of a transparent property market where millions of dollars are involved. Plus our readers want to know who is buying and who is selling. It’s that simple.

This is not to say that sometimes anonymity must be respected and protected, but the reason have to be compelling; no journalist wants to tell only half a story.

Even more important, often a supposed case of “doxxing” can reveal what is hiding in the shadows.

As a Melbourne judge recently remarked of a once anonymous property developer who illegally demolished a historic Melbourne pub and then dumped asbestos waste from the pub near homes and a childcare centre: “I hope everyone knows your name.”

A new owner for Gisborne’s Macedon House

IMG-1231In June, I blogged about Macedon House, the 170-year-old crumbling wreck in Gisborne (where I live) north of Melbourne that had stood vacant for more than a decade.

The once grand property which the  Victorian Heritage Council called “a rare surviving example of an early Victorian hotel” and with a rich and colourful history had passed through successive ownerships in recent years, with plans including to turn it into a retirement village – none of which came to fruition.

Then on August 4 it went to auction as a mortgagee sale, with the hope that the buyer would restore it to its former glory.

For the new owner, Macedon House came with the caveat that whoever bought it would have to carry out urgent repairs under a Victorian State Government order aimed at protecting historically significant properties.

I can report, the August 4 auction through Kennedy & Hunt Real Estate was a success – Macedon House has a new owner after selling under the hammer for $1.36 million in front of about 60 people.

According to our local community paper, the Gisborne Gazette, the buyer is former Gisborne resident Troy Daffy, who owns and runs Brisbane-based developer Silverstone Developments.

Encouragingly for locals, Mr Daffy told the Gisborne Gazette he would carry out repairs to Macedon House as ordered by the State Government to bring it back to its former glory, but has no plans yet for the land surrounding the homestead.

“I may live in Brisbane, but at heart I am still a Gisborne boy,” he told the paper.

Silverstone has undertaken apartment developments in Brisbane, as well as commercial and retail projects

In June it paid $7.15 million for a 1.3 hectare site in Rochedale in Brisbane’s outer southern suburbs with plans for a medical and retail centre plus townhouses. Silverstone also owns property in the Brisbane CBD, Fortitude Valley and a retail subdivision in Upper Coomera.

As to what Mr Daffy’s plans are for the large Gisborne property – only time will tell. But a restoration of what has become a sad Gisborne eyesore, will be welcomed by locals.

Reading a literary legal classic: Scott Turow’s Presumed Innocent

presumed-innocent_lI recently read Presumed Innocent the New York Times best-selling legal thriller written by Chicago lawyer-turned crime novelist Scott Turow.

It was published to both critical and commercial success in 1987 and then, three years later, made into a hugely successful Hollywood movie starring Harrison Ford and directed by Alan J. Pakula, after Sydney Pollack (the film’s producer) bought the movie rights for US$1 million.

Turow, who taught creative writing at Stanford University before obtaining a law degree from Harvard Law School, prosecuted high-profile corruption cases as a Chicago assistant US attorney before penning the tale of Rusty Sabich, a deputy chief prosecutor accused of murdering his co-worker, Carolyn Polhemus, with whom he had a brief, but intense affair.

For some reason I vividly recall watching a CNN profile of Scott Turow after Presumed Innocent became a major Hollywood film, and being fascinated by the fact that he penned most of the book in longhand in a spiral notebook while on the morning train into work.

I also recall seeing the movie at the cinema and enjoying the tale of murder, corruption and court-room battles in what was an above-average thriller elevated by the typically edgy and intense performance of Harrison Ford as the accused Rusty Sabich,  the cool cat-like performance of the late Raul Julia as Sabich’s suave legal defender Sandy Stern and the very spicy sex scenes involving Ford and the utterly gorgeous Greta Sacchi who played the fateful bombshell attorney Carolyn Polhemus.

And so, almost three decades after seeing the movie as a pimply 17- year old, I picked up Scott Turow’s novel on the recommendation of my wife, who had just read and raved about it.

It is a superbly crafted literary novel, certainly heads and shoulders above anything the likes of John Grisham might have penned and has not surprisingly drawn comparisons with the grand masters of crime writing like PD James and Ruth Rendell. In summary: Scott Turow can write!

As the author Anne Rice (Interview with a Vampire) puts it so elegantly in her 1987 review of the book for the New York Times , Turow “transcends the murder-mystery genre, combining whodunit suspense with an elegant style and philosophical voice”.

She also remarks of his “immense writing talent” and “impressive legal experience”. These are both of in evidence from the very first page when readers are introduced to Rusty Sabich,  the chief deputy prosecuting attorney of fictional Kindle County, who is also – in a stroke of genius by Turow – the narrator of the story.

Opening statement
This how I always start: “I am the prosecutor. I represent the state. I am here to represent to you the evidence of a crime. Together you will weigh this evidence. You will deliberate upon it. You will decide if it proves the defendant’s guilt…”

The novel begins with Sabich brooding over his affair with the beautiful Polhemus, who jilted him just before she was founded raped and murdered in her apartment.

The violent crime is the talk of Kindle County, casting a dark cloud over the re-election campaign of Sabich’s boss, the veteran chief prosecutor Raymond Horgan.

Sabich, who has kept his affair with Polhemus mostly a secret (he has tearfully confessed to his wife Barbara) is then put in charge of leading the investigation into her violent death, a task he attempts to carry out despite the obvious personal conflict.

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Close encounter: Greta Sacchi as Carolyn Polhemus, Harrison Ford as Rusty Sabich

But events take a shocking turn for Sabich (who up until this point has been the reader’s insightful guide into the world of politics, big city crime, police investigations and legal procedure) when he is accused of Polhemus’s murder on the basis of circumstantial evidence and the suspicion of his affair, which gives him a motive.

Sabich hires top defence lawyer Sandy Stern to represent him, while his loyal cop pal, Dan “Lip” Liprazaner helps hunt down information on a secret case file that Polhemus handled and which might explain who killed her and why.

But can we trust Sabich? Yes, he has prosecuted child molesters and violent criminals, but he is also an adulterer and who seems both vulnerable and resentful of women. Did he murder Polhemus in a fit of uncontrollable, jealous rage?

 And then, when I’m by myself, I feel desperate and ashamed. This raging, mad obsession! Where is my world? I am departing. I am gone already.”

This clever plotline – faithfully replicated in the movie – is brought to life on the page by Turow’s carefully delineated characters – from the eloquent and morally ambiguous Sabich to his wounded and bittery resentful wife Barbara to the slippery prosecutor of his case, Nico Della Guardia – and pitch-perfect language to create the sinister undertones at play within the court and district attorney’s offices of Kindle County.

Turow takes his time delving into the biographies of his characters  – Sabich is the son of an unloving and cruel father who escaped the war in Europe – exploring their motivations, so they become living, breathing creations.

At the same time he manages to keep the story and plot moving along so you never feel you’re just turning pages hoping to get to the next important courtroom battle or clue, but immersing yourself in the drama. Everything said and done by Sabich and the cast of lawyers, police officers and members of the court has meaning and relevance to the story.

Turow also makes full-use of his legal experience to create terrifically authentic courtroom exchanges between the defence and prosecuting teams as the scales of justice tip for and against Sabich’s ‘presumed innocence’.

In summary, it’s not hard to understand why Presumed Innocent became a publishing phenomenon in 1987 and why it launched Turow’s writing career (more than 30 million copies of his books have been sold).

time cover turowIn 1990, when the movie of Presumed Innocent came out Time magazine featured Scott Turow on its June 11 cover calling him  ‘the bard of the litigious age’. (It’s also become a popular crossword clue!)

He was then the 92nd writer to make it onto the cover,  joined the ranks of Ernest Hemingway, J.D. Salinger and Alex Haley.

The great thing about Presumed Innocent is that it never descends to the status of an “airport paperback thriller.

While its undoubtedly a page-turner, it is squarely a work of literary fiction, spiced up with a film-noir plot, a femme fatale straight out of a 1930s Raymond Chandler crime novel and writing that some have called “Dickensian”

Even if you have seen the movie (or remember the controversial twist at the end), I highly recommend reading the book, which has rightly retained its much-revered status in the crime fiction genre.

Interviewed by CBS News in 2010 after publishing a sequel called Innocence, Turow said:

“‘Presumed Innocent’ changed my life and I went from being a guy writing on the morning commuter train – and I finished the book in an unfinished basement in my house in Wilmette – I went from that to somebody who was a best-selling author around the world.”

Macedon House: the old and new history of a Gisborne ruin

IMG-1230Drive down the steep and winding Melbourne Road into Gisborne, the pretty rural town north of Melbourne, and you will see the old faded orange wreck emerging over the rise, behind the tall trees.

Standing empty and neglected, covered in graffiti and surrounded by ugly temporary fencing, its terracotta chimneys cracked like teeth, the single story building still retains an aura of once being a grand Victorian home.

I drive past this crumbling old wreck almost every day, but only recently discovered its fascinating history after reading an article in The Age newspaper.

It’s called Macedon House and has stood at the entrance to Gisborne for more than 170 years, just 13 years after Gisborne was established as a sheep grazing town.

The article in The Age described how Macedon House was one of two heritage buildings in Victoria (the other Valetta House in East Melbourne) where the owners have been ordered to carry out urgent repairs or face heavy fines.

“Those lucky enough to own heritage assets have a responsibility to maintain them — and we’ll ensure they do,” said Victorian planning minister Richard Wynne.

Built in 1847, the single storey, rendered, bluestone building with a hardwood-framed roof covered by original shingles (now beneath a corrugated iron roof) was originally called Mount Macedon Hotel. It is according to the Victorian Heritage Council “a rare surviving example of an early Victorian hotel”.

The hotel was built by Thomas and Elizabeth Gordon to “service the needs of district squatters”, those pioneering farmers in the early days of the colony of Victoria. The hotel served them mutton, salted fish and damper (a type of crudely made white bread) plus of course, brandy and beer, according to the Gisborne Gazette.

However, when gold was discovered on the Victorian goldfields in 1851, the hotel lost much of its trade as thousands rushed past it in search of their fortune.

By 1867 (after Thomas Gordon had died suddenly in 1855) Mount Macedon Hotel was no longer licensed. It was then known as Macedon House and became a family home for the Gardiners until 1878, when Elizabeth Gordon returned to live there, caring for her six children, and orphaned niece and nephew.

From 1887 onwards it was a boarding house for many decades, as well as serving as consulting rooms for a dentist and as a school where one of Elizabeth’s daughters taught.

It was a family home again from 1960, before being classified by the National Trust in 1974. Later it served as a reception centre, various restaurants, rooms for the neighbouring Gisborne Bowling Club (who bought it for $190,000 in 1995) and as a Montessori school.

A cash cow

Various media reports suggest Macedon House has been vacant since 2004, with its condition gradually worsening due to vandalism and neglect.

The reason for this appears to relate to long-held but never realised plans to develop the large property into a retirement village.

Instead progressive owners have elected to sell and take the profits, as its land value has soared (along with all property in Gisborne), and leave the development risk to someone else.

Having bought Macedon House for $190,000 in 1995, the Gisborne Bowling Club made a tidy profit when they sold it for $250,000 in 1998 to Mainpoint, the family company of Eduard “Ted” Sent.

Dutch-born Sent was in 1998 chief executive of Primelife Corporation, a publicly listed company that at its height controlled $1.6 billion portfolio of retirement villages and aged care facilities.

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Presumable Ted Sent planned to turn Macedon House into another retirement asset of Primelife Corporation, before he departed as CEO in 2002. (Primelife collapsed in 2006).

In 2014,  Melbourne developer Brian Forshaw – a long time friend and business partner of Ted Sent – acquired Macedon House for $770,000.

In 2015, plans were drawn up for “Macedon House Retirement Village” with about 40 homes spread out across the 2.1 hectare site.

Then, last year, two caveats were placed on the title which suggest that Brian Forshaw had struck deals to sell Macedon House.

The first in January was with a company called Nuline Consulting, ultimately owned by Grace Sent (Ted Sent’s wife) and then later in September with wealthy Melbourne doctor and developer Gary Braude for a reputed $1.21 million.

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However neither of these deals appear to have been completed , and with the state government demanding urgent repairs to Macedon House, approved plans for a retirement village have been abandoned.

Brian Forshaw recently put the old wreck back on the market asking $1.39 million with real estate advertising describes Macedon House as a “dilapidated heritage hotel”.

More recently its been listed as a mortgagee sale through Kennedy & Hunt Real Estate with an auction date set for August 4.

In their description, Kennedy & Hunt Real Estate, who are local Gisborne agents, highlight Macedon House’s rich history and importance and include a few beautiful old photos dating back to 1899 of the building in its prime, against the backdrop of farmland and the pointy top of Mt Macedon.

Let’s hope who ever buys it this time round will restore it to its former glory and pay homage to 170-plus years of Macedon House’s colourful history.

macedon house in its prime

The lucky lives of Judy and Alex Resofsky

Throughout her life Judy Resofsky considered herself lucky.  No doubt, her husband Alex did too.

Judy and Alex arrived in Australia in 1949 when they were in their early twenties, having both survived the horrors or Hungarian ghetto life and the notorious Auschwitz Concentration camp in Poland, to which many Hungarian Jews were deported in 1944.

At her funeral last month in Melbourne, Judy and Alex’s daughter Kathy Janovic told mourners the incredible story of how her mother had escaped the gas chambers.

On the day, she and others were to be murdered, the gas chambers had miraculously malfunctioned and she was spared.

Later, when the concentration camps were being evacuated and demolished, as the Russians advanced across Europe, Judy was one of thousands of emaciated Jews sent on a death march from Praust (Pruszcz Gdański) in North Western Poland.

At one stage during this horrendous ordeal, she and other women were resting in a barn when Russian soldiers entered and started to rape the women. Judy jumped out of a window and landed close to a Jewish Russian soldier, who saved her.

This was just another example of her mother’s good luck, her daughter Kathy said in a loving tribute to her warm, kind and generous parents.

One of eight children, born in Nyirbartor, in Eastern Hungary on July 5, 1926 to Adolph and Berta Winkler, and their first born, Judy was the only of her family to survive the mass extermination of European Jews by the Nazis.

Her husband Alex Resofsky, who also recently passed away, was born in the same Hungarian town of Nyirbator two years before Judy in 1924.

The second child of Mor and Berta Resofksy, Alex and his eldest sister Margaret were the only ones in their family to survive the holocaust.

After the family had been rounded up in the Sirna Pusata Ghetto, they were deported to Auschwitz. Alex’s mother and siblings did not survive the selection process and were murdered by the Nazis.

Alex passed through three more concentration camps – including the notorious Gross-Rosen and Buchenwald camp networks – before being liberated at Bergen-Belsen in April 1945.

He was part of the Bricha underground movement that helped smuggle Jewish holocaust survivors out of Eastern Europe into what is today Israel.

In 1949 he sailed to Australia with his sister and future wife, Judy.

Here they lived for the next 69 years, making a life for themselves in Melbourne’s flourishing Jewish immigrant garment trade (supplying David jones with mens knitwear) and where they had three children and many grandchildren and great-grandchildren.

By all accounts – I sadly never met them – Alex and Judy were much-loved and treasured members of Melbourne’s close-knit Jewish community,and were actively involved in the important work of the Jewish Holocaust Centre.

A report from the JHC in September 2017 includes a picture of Judy and Alex along with their children, grandchildren and great-grandchildren. There are 24 people in the photo.

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Alex and Judy with their family, taken in September 2017 (Credit: Jewish Holocaust Centre)

 

The JHC report notes that through the generosity of the Resofsky’s, the centre was able to put its vast and important collection online, and that they did so in loving memory of their parents, Mor and Lenke Resofsky; Jeno and Berta Frisch; Adolf and Berta Winkler and all their siblings.

I only recently came across the incredible survival of the Resofskys while researching a story I was writing for The Australian Financial Review. It was about a shopping mall they owned near Geelong, and which their children recently sold.

It would have been a great privilege to have met Alex and Judy and heard their story of survival against the odds, and about their successful and happy lives in Melbourne.

Deepest sympathies to their family and friends.