Having just watched the final episode of Season 5 of Mad Men – and mourning the long wait I must now endure until Season 6 comes out on DVD, I thought I might jot down the 10 television shows I reckon are among the best to ever grace the small screen.
Plus my wife and sister-in-law are watching Season 3 of The Walking Dead, which I have enjoyed, but there’s only so many gurgling, mindless zombies I can watch chasing the living through an American wasteland.
So these are 10 television shows I reckon are as good as just about anything you could watch at the movies, and in most cases, infinitely better.
(I’d welcome suggestions from other bloggers; yet to watch Boardwalk Empire, Primal Suspect and have a couple of seasons of Inspector Morse on my shelf too as well as The Tudors.)
Apart from the bemusing final episode of Season 6, the Sopranos set a new television benchmark when it hit television screens in 1999. It could be set that it sparked the revival in television entertainment and inspired countless other shows. Who would have thought watching New Jersey mob boss Tony Soprano pouring out his family and “business” problems to a sultry psychologist played by Lorraine Bracco would set the stage for the great gangster drama since The Godfather trilogy and Goodfellas. Plus there’s all the other great characters: power-hungry Junior, stupid but scary Paulie and Tony’s drug-addicted nephew Christopher Moltasanti to name just three.
Many people argue The Wire – the story about Baltimore police officers and the criminals they pursue – is the greatest television show every created. It’s certainly the greatest show never to win any major awards. Each of the five series looks at a different aspect of Baltimore society: the drug scene, the docks, local politics, the school system and the media. It features the first gay gangster-turned-robin-hood (Omar), arguably the finest portrayal of a police-officer on the small screen (Dominic West as Jimmy McNulty) but the real stars are the dialogue, which captures the language of the street perfectly and the carefully woven plot lines. Personally, my favourite character is Bubbles, the heroin addict turned police informer and in many ways the moral compass of the show.
The story of a dysfunctional Californian family running a funeral home. Each episode begins with a death and the body being prepared for burial by the Fisher Family. There is never a dull episode. It features great performance from Michael C Hall as David a gay man struggling with his sexuality and his virile brother Nate, caught up in a twisted relationship with Brenda, brilliantly played by Australian actress of Muriel’s Wedding fame Rachel Griffiths. And its darkly funny.
The story of family man Walter White (Bryan Cranston) a poorly paid high school chemistry teacher who upon being diagnosed with lung cancer, turns to cooking crystal meth with former pupil and local low-life Jessie (Aaron Paul) to build a nest egg for his family. The pair get mixed up with organised crime and one of the scariest, suavest villains in the form of Gus Fring, the proprieter of ‘Pollos Hermanos’. Yet to see Season 5, but can’t wait.
Was there ever a cooler show on the television? The story of the lives of Manhattan advertising executives in the 1960s. Every shot is a period piece, the dialogue meticulous; you can sit back and just enjoy the decor and clothes, never mind the characters. Don Draper, Roger Sterling, Pete Cambpell and of course Joan Harris – the most voluptuos woman ever to grace the small screen – are creations that would sit comfortably alongside any in the Great Gatsby.
John Luther (Idris Elba) is the toughest and most brilliant police officer you will ever meet. He operates by his own set of rules and code of ethics as he brings down the sickest criminals on the streets of London. I’ve watched the first two seasons, and believe a third season will air this year. Also a chance to see Paul McGann of Withnail and I fame in a great role.
One of the longest running televisions shows of all time, the Special Victims Unit (SVU) spin-off has generated 14 seasons. The episodes featuring Benson and Stabler as the lead detectives are the best. Very well written, with believable characters and stories, all filmed on location in New York. Plus there’s that bad-ass motherf*cker Ice-T and the freaky, sardonic Munch to entertain you as well.
An Australian series about the lives, loves and heartaches of twenty-something Melburnians living in St Kilda. Does not sound like much, but lots of great themes explored. Narrated by the philandering writer-in-training Evan (Samuel Johnson) with career-making performances from Joel Edgerton (now a Hollywood star) Deborah Mailmen and Claudia Karvan to name just a few. The first three seasons are the ones to watch. From Season 4, all the good characters have left the show (I’ve not watched it).
Each episode in the 15 seasons set in quaint Midsomer county with its hedges, afternoon teas, quiet woods, grand old mansions and quintessential English villages (the deadliest county in England) is a feature-length whoddunit featuring the unshakeable Inspector Barnaby (John Nettles) and a number of different young side-kicks. The corpses pile up faster than freshly baked scones at a fete but you’ll never guess who the murderer is.
A period drama about masters and servants who live in palatial Downton Abbey in a changing Britain in the years leading up to World War One and beyond. Headed by the sweet-natured but strong-willed Earl of Grantham (Hugh Bonneville) and his somewhat annoying American wife (Elizabeth McGovern, it features a brilliant performance by an ancient-looking Maggie Smith as Grantham’s mother, the towering Dowager Countess of Grantham. And of course there’s the dour Mr Bates and impeachable Mr Carter, the butler of Downton Abbey.