The story of my grandparents’ secret

My happy Bar Mitzvah photographs, taken in 1987 in the foyer of the once grand Germiston synagogue on the East Rand near Johannesburg, captured a rare moment in time when my grandfather Rolf was in the same room as his ex-wife, my petite, and glamourous grandmother Nella.

I am in the middle, smiling like a cherub, my beaming parents (Ian and Cecile) on either side. On my left, wearing a white suit and a gentle smile is my grandfather, while in between my mother and my Zaida Harry, staring back rather demurely at the camera in a stylish outfit and black beret, is Nella.

I remember the day as a joyous and successful one, me singing my parashah from the Torah on the Bimah, while my family watched on proudly, then later, the sweets, as was tradition then, raining down from the women’s section of the synagogue above to celebrate my symbolic entrance into adulthood. A catered luncheon followed after in the hall at the back of the synagogue with all the South African Jewish delicacies on offer (mock crayfish, chopped herring, gefilte fish, bagels and lox). I made a half decent speech which got a few laughs, then came singing and dancing with my family and friends.

My Bar Mitzvah: From L-R: Rolf Schlesinger, my dad Ian, Me, my mom Cecile, Granny Nella and my Zaida, Harry Hyton

I was at the time, and for many years after, unaware that my grandmother had not spoken to my grandfather in over 30 years, after he divorced her to marry an Afrikaans lady called Elizabeth, with whom he’d had an affair.

There was an obvious clue to this secret – whenever my grandfather, whom we called “Grampie” came to visit us (armed always with a large bag of sweets and chocolates) my grandmother would hastily retreat to her bedroom and not come out until he had left.

This practice continued until my grandfather passed away suddenly in 1988, when I was 15.

He’d fallen in the rain, whilst doing a delivery for the charity Meals on Wheels in Johannesburg, been taken to hospital by my mother and passed away completely unexpectedly from suspected congenital heart failure, though the exact cause of his death remains something of a mystery.

He was cremated and his ashes placed in a wall of remembrance at West Park cemetery in Emmerentia in Johannesburg’s northern suburbs. My grandmother Nella, who passed in 1997, is also buried at West Park.

My grandfather had met Elizabeth at the boiler suit-making factory in downtown Johannesburg that was owned by my grandmother’s wealthy family, the Grevlers. He was a director (courtesy of the largesse shown to him by “Big Uncle” Isaac Grevler) while Elizabeth, whose first name was actually Johanna, worked in the factory.

After he admitted his affair, divorced my grandmother and married Elizabeth, my grandmother never spoke to him again or forgave him for his betrayal. For the rest of her life she held onto that “terrible thing done to her”. A beautiful woman who in her younger days looked like a 1930s movie star, she dated other men after her divorce, but sadly never established a serious romantic relationship again.

My grandmother in her late 20s (circa 1935)

“I don’t blame my mom…she was a woman with very high self-esteem, and [the affair] completely dashed her. Nobody got divorced at that time. I was the only kid in my class whose parents got divorced,” my Uncle Colin (their older son) tells me on a Zoom call from his home in Alamo in California.

Growing up I never knew anything about this family saga; I had no idea my grandfather was married to someone else, and lived a life entirely outside the sphere of our fairly observant Jewish life with its festivals and Shabbat dinners.

I have strong and vivid memories of my grandmother, who lived with us for many years after giving up her flat on the edge of Hillbrow. She was a well-travelled woman of refined taste who loved her grandkids dearly. My memories of my grandfather are more fleeting as we saw him less frequently. Looking through old photos reminds me of his soft and sweet demeanour.

“He was pretty tough as a father. I think he tried to be like his dad (my adventuring great grandfather Bruno) who was a tough bloke,” recalls Colin.

Two of Colin’s strong memories of his father – before his parents got divorced – are of the very pleasant Sunday drives the family took to visit the many tea gardens in Johannesburg and, riding on his father’s back as a small boy when Rolf would get down on all fours.

Less pleasant, were memories of the whippings he received from his father’s cane.

Made out of “flexible material” Rolf had obtained it through his volunteer work for St John’s Brigade, known today as St John’s Ambulance.

One particular memory of that cane has long remained vivid in Colin’s memory.

“We had a huge oak tree outside our house at14 Rutland Road, Parkwood (a leafy, old inner Joburg suburb) and I used to love climbing trees.

“I don’t know what had happened, but something had happened and I knew that my father was going to punish me. So I climbed up the oak tree, right to the top where the branches were pretty thin. It was a big tree,” says Colin.

Happier days: Nella and Rolf as a married couple.

“My father was down below, and getting really quite agitated, telling me to come down, saying ‘you are going to fall. Don’t be silly’

“And I said to him” ‘I’m not coming down, because if I do, you are going to whip me with that cane.

“He said: ‘No, no, I won’t do that. Please come down.”

“So after saying that for a while, I did come down…and guess what happened?

What? I asked him, but guessing the answer: “He whipped me.” said Colin.

However, Colin says my grandfather’s toughness mellowed later in life, after having some kind of a quasi nervous breakdown, most likely to do with the guilt he felt about his affair and its impact on his family.

After about 16 years of no contact at all, my uncle re-established his relationship with my grandfather after returning from the UK and USA, where he’d completed his PhD in Chemical Engineering.

“When I cam back, I decided that if my mother did not want to talk to her ex-husband that was her business, but he was still my father and I wanted to have a relationship with him.

“I discovered that he had changed completely. I think he had either had a nervous breakdown or got very close to having one. It was caused by guilt. He felt enormously guilty that he had abandoned [my brother] Ian and me because of his behaviour.

“It was very strange, it was like our roles had been reversed, I was actually trying to reassure him.

“He liked to eat hot mielie meal for breakfast (cornmeal) and I would tell him. When you wake up at 4am, do something: make hot mielie meal, listen to the radio, read a book, don’t just lie in bed with all these negative thoughts.”

After a while – with the help of his eldest son – my grandfather pulled out of his depression, turning, according to Colin into “the kindest, sweetest guy you could imagine”.

“He was 180 degrees different from the way he had been growing up, and we became great friends.”

One of the things my grandfather and uncle did together, along with my cousin David (Colin’s son) was build a mirror dinghy, a small sailing boat, that I distinctly remember checking out when we visited our cousins at their home in Parkmore in the 1980s.

Colin and my grandfather Rolf (1987)
The inscription on the back of the photo.

“David, my dad and I would work on building this dinghy. And when it was finished, on the weekends, we would take it to various dams like Emmerentia Dam and sail it. It was a very nice bonding experience working on that boat together,” says Colin.

He also showed me a sign, that his dad made for him after he took a job as a salesman for a sign-making company.

“We’ were talking about procrastinating and doing things, and he made this sign for me, which I have on my desk,” says Colin.

Made out of bright yellow plastic with red letters, it says simply: “TODAY”.

The sign my grandfather made for Colin when he was working as a salesman for a sign-making company in Johannesburg (pictured here with Colin’s dog Lola)

My last memory of my grandfather Rolf is him sitting atop a hill watching me play in a school cricket match in Linksfield, Johannesburg, perhaps not long before he passed away. I remember distinctly his small figure in long pants and a dark blazer in the distance, and my sense of surprise and pleasure at seeing him there.

The last time I saw my grandmother was in July 1997, before I headed off to the USA for six months to work at a summer camp in Wisconsin.

By then she was in her late 80s and quite frail.

At the time she lived with us in our Linksfield home. Her bedroom was right next to mine at the back of the house and she would often call out in her quiet, wavering voice: “Larry” to ask a favour. I often drove her to and from visits to her friends in their apartments around Johannesburg. Though I sometimes complained about having to do these errands, I miss those trips and ferrying her around the suburbs. She was always very grateful; we had a close bond.

In her younger and more independent days, my grandmother had a flat in Killarney – an old Johannesburg suburb packed with apartment buildings (hers was a white Art Deco block called Daventry Court) and old Jewish people. I remember her flat filled with dainty trinkets and old, dark wooden furniture and there was a dark green Peugeot 404 (a gift from Colin) parked in her garage.

I distinctly remember riding up the old musty elevator, and walking along the outdoor passageway to her flat door, and her warmth and delight at seeing me and my brother and sister when we came to visit.

She died while I was in the USA in 1997 and like my grandfather’s passing I never attended her funeral.

Always elegant: My grandmother taken in the garden of house in Germiston circa 1985

Me (a very chubby baby) and my grandmother

My eight months without cinema: recollections and reflections of movie-going

Cinema watchingSo this weekend past I went to the cinema for the first time in eight months.

The last time I went to the movies was on Sunday, April 15. My wife was heavily pregnant at the time and about five days past her due date.

We went to the Nova on Lygon Street in Carlton and saw an exceptionally good French movie called “Le Havre” about an African refugee who is taken in by an old shoe-shine man, who helps him escape across the English channel.

In the cinema my wife started having light labour pains and a couple of days later – in the early hours of a Wednesday morning – Edith (Edie) was born.

She turned eight months old on Tuesday.

Fittingly, I broke my cinematic drought with another movie at the Nova.

11110702_logoI went to see “The Master” starring Joaquin Phoenix and Philip Seymour Hoffman, set just after the second world war and about a ex-navy man drifter called Freddy Quell (Phoenix) who falls under the spell of the charismatic Lancaster Dodd (Hoffman), an incarnation of Church of Scientology founder L Ron Hubbard. The film, directed by the much revered PT Anderson (Magnolia, Boogie Nights) is intense and interesting, brilliantly acted, but kind of leaves you wondering what the point was in the end. If you liked PT Anderson’s other agonising effort “There Will Be Blood” starring Daniel Day-Lewis as a brutal turn-of-the-century oil prospector, you will love “The Master”.

Still, it was something of an experience undertaking the ritual of going to the movies for the first time in so long.

Coke and popcorn purchased, I wandered into the cinema and found a seat. It was a small cinema – for some reason I had been given one of the double “love seats – and I stretched out, munching on my popcorn and sucking the fizzy ‘solo’ through a straw.

The cinema darkened, and just before the film began, a couple walked in and the guy next to me began tapping away on his iPhone.  Clearly he was ignoring the message that had just flashed on the screen: “Please turn off your phone?”

I whispered in his ear: “Can you turn your phone off?”
His reply: “It’s on silent.”

No shit, douche bag!

“Can you turn it off? The screen is bothering me.”
“OK, OK,” he muttered, as he slid the phone into his pocket.

Of course  I spent the first 10 minutes of the movie, wondering when next he was going to pull it out again and start tapping away. Thankfully, he never did, though I got the feeling he resented the crunchy sound I made as I munched my way through my jumbo-sized popcorn.

I kept munching anyway.

And half way through the movie, I stopped watching and looked around at all the people staring up, mesmerised by the screen. Have you ever done that? It’s like watching people who have been hypnotised.

Since then, I’ve been reflecting on childhood memories of movie going.

One of my first memories of the cinema, was going to see ‘The Wizard of Oz’. I remember it was somewhere in town (Johannesburg) and must have been the late 1970s – I would have been six or so.

It terrified me. I have memories of the strawman being set on fire (this I’ve checked does happen in the movie) and the tin man being stuck inside a giant sandwich-maker – but maybe I imagined that bit, because I can’t find any reference to it – I’ll have to watch the film again.

My best friend growing up was Jonathan. We were friends since babies and lived on the same street in Germiston – a city about 20 minutes from Johannesburg and site of the world’s biggest gold refinery (and not much else).

The 20th Century Cinema in Germiston

The 20th Century Cinema in Germiston

After synagogue on a Saturday, we used to walk into town and like good jewish boys, go to the movies. It was a large imposing building on Main Street, now I believe knocked down, called the 20th Century Cinema, with an art-deco sign and built in 1939. It had an old-fashioned ticket booth at the entrance and an imposing, cavernous lobby. The cinema could hold over 1,400 people (though it was never full when we went) with an upstairs section and a space for an orchestra to play in the pit in front of the screen. There was always a Bugs Bunny cartoon before the film started.

They don’t make cinemas like that anymore – at least not in the Western world.

The art deco Eros in Mumbai

The art deco Eros in Mumbai

In India we saw a movie in an enormous art-deco cinema called the Eros in Mumbai, where people got up to dance alongside the characters on screen, mobile phones rang, the ticket cost a few dollars and popcorn about 50 cents. Ironically it was a musical about Indians who move to Melbourne and then find themselves being racially abused along with songs and dancing and bad Australian accents.

But back to Germiston and the 20th Century cinema. I recall the great excitement Jonathan and I experienced going to see our first movie on our own.

It was ‘Indiana Jones and the Temple of Doom’, which came out in 1984 when we would have been 11.Temple-of-Doom1

I distinctly remember being terrified at the scenes where the evil sorcerer tears out the heart of his victims amidst the chanting and the lava, and of course the banquet with its monkey brain soup and enormous snake, which is cut open and all the baby snakes slither out.

What I also remember through the haze of time was the Ster Kinekor movie club, where you joined, got a special card and paid only one rand a movie. That would have been about 50 Australian cents in those days.

One rand for a movie. One large silver coin for two hours of escape, excitement and adventure.

My other distinct movie-going memory is heading into town (the centre of Jo’burg) when we were teenagers with Jonathan’s mom and some other friends and going to the cinema, while she went to work. It was very quiet (must have been the school holidays) and we’d buy one movie ticket and as the cinemas were all upstairs, we’d watch one movie and then sneak into another cinema and watch another movie for free and sometimes one more.  We thought we were pretty rebellious!

Apart from those early memories, I confess (with much embarrassment) that I recall crying bitterly in my seat when I went to watch E.T. at the Bedfordview Nu-Metro in 1982. I would have been nine years-old. I think it was when they had found E.T. and had him in the quarantined zone and everyone was walking around in plastic suits.

So what did it cost me to go the cinema this weekend?

One admission to The Master at Cinema Nova, Lygon Street: $18
Coke and popcorn combo: $10.50
Parking: $6.60
Hamburger at Gr’lled for dinner: $12
One Corona: $7

Total cost (excluding petrol, toll road): $54.10

Or around 481 Rand at current exchange rate – that would have bought a lot of movies back when I was a kid!